Pushed away: Basil
“I'll tell you how this ends, and I'm usually right, and I take no pleasure in it.”
It narrates the bad ending before anything has happened, reading small signals as the first evidence of the collapse it expects, and the forecasting works as insurance, since a disaster that has already been described cannot arrive as a shock. A family in which nothing anybody did ever improved anything supplied the underlying finding, and the finding has been generalised from that house to the structure of events in general. What it asks for is one prediction written down in advance and checked afterwards against what actually occurred.
It echoes Woe in the old Russian poem, which attaches itself to a man and follows him wherever he goes, keeping closer the harder he runs and growing more familiar every year until he can no longer imagine travelling without it. The form implies a task: to notice how much of the company is being supplied by the traveller.
- Essence
- Betrayed Order
- Rule
- Nothing worked there no matter who tried, so I stopped expecting it to anywhere.
- Substance / Activity
- Basil
- Archetype
- Gore
- Emotional theme
- Bad endings forecast in advance as insurance against surprise
- Behavioural pattern
- Pervasive expectation of failure; hypersensitive reading of small signals as disaster
- Family dynamic
- Family in which nothing anyone did ever changed anything
- Core wound
- Nothing worked there no matter who tried, so I stopped expecting it to anywhere.
- Exit
- Writing one prediction down in advance and checking it afterwards against the outcome.
What is the "Pushed away: Basil" pattern?
It narrates the bad ending before anything has happened, reading small signals as the first evidence of the collapse it expects, and the forecasting works as insurance, since a disaster that has already been described cannot arrive as a shock. A family in which nothing anybody did ever improved anything supplied the underlying finding, and the finding has been generalised from that house to the structure of events in general. What it asks for is one prediction written down in advance and checked afterwards against what actually occurred.
What does "Pushed away: Basil" sound like when it shows up?
I'll tell you how this ends, and I'm usually right, and I take no pleasure in it.
What is the archetypal form of "Pushed away: Basil"?
It echoes Woe in the old Russian poem, which attaches itself to a man and follows him wherever he goes, keeping closer the harder he runs and growing more familiar every year until he can no longer imagine travelling without it. The form implies a task: to notice how much of the company is being supplied by the traveller.
This is a pattern. Not a verdict.
It appears in many lives.
Decoded2times